General auditions – You’re a Good Man, Charlie Brown, Barefoot in the Park, and What the Constitution Means to Me

Auditions will take place via time slots on Friday, November 22nd and Saturday,
November 23rd from 6pm to 9pm at Steel River Playhouse (245 E High Street, Pottstown, PA 19464). Please bring a resume and headshot to your auditions. Video auditions will be accepted if submitted to alec.williams@steelriver.org by Saturday, November 23rd at 5pm.

Auditions will be held for performers 15 years of age or older for Charlie Brown and What the Constitution Means to Me. Auditions for Barefoot in the Park are for performers 18 years of age or older.


What to Prepare

If you are auditioning for Charlie Brown (or Charlie Brown AND one or both plays)

– 32-bars of a contemporary musical theatre song. Excerpts from the show are accepted.

– 1 minute contemporary monologue.

– We will have an accompanist at in-person auditions. Please bring sheet music with cuts clearly marked.

If you are only auditioning for Barefoot and Constitution, please prepare a 1-2 minute contemporary monologue.
Note: Those with primary interest in Barefoot in the Park should prepare a comedic monologue.

Callbacks

Individual Callbacks will be held for each show. All lead roles will be required to be in-person for callbacks.

Sunday, November 24th 2pm-5pm: You’re a Good Man Charlie Brown Callbacks
Monday, November 25th 6pm-9pm: What the Constitution Means to Me Callbacks
Tuesday, November 26th 6pm-9pm: Barefoot in the Park Callbacks

Tech and Performance Dates

You’re a Good Man Charlie Brown
Tech: Saturday, February 1st-Wednesday, February 5th, 2025
Performances: Thursday, February 6th-Sunday, February 16th, 2025

Barefoot in the Park
Tech: Saturday, March 1st-Wednesday, March 5th, 2025
Performances: Thursday March 6th-Sunday, March 23rd, 2025

What the Constitution Means to Me
Tech: Saturday, April 12th-Wednesday, April 16th, 2025
Performances: Thursday, April 17th-Sunday, April 27th, 2025

Rehearsals

Steel River productions rehearse in the evenings and on weekends. Actors should provide all conflicts for the rehearsal process at the time of sign-up. A full rehearsal calendar will be provided when casting offers are made. 5 rehearsal conflicts will be permitted (per show). No additional conflicts will be accepted once an actor is cast. Each show will rehearse 3-4 evenings/days per week.

You’re a Good Man Charlie Brown
Rehearsals will begin mid to late December and continue until tech rehearsals. All tech rehearsals and performances are mandatory.

Barefoot in the Park
Rehearsals will begin early to mid January and continue until tech rehearsals. All tech rehearsals and performances are mandatory.

What the Constitution Means to Me
Rehearsals will begin early to mid February* and continue until tech rehearsals. All tech
rehearsals and performances are mandatory.
*Please note: Rehearsals with Heidi will begin before the other cast members are brought into the production.

Character Descriptions

You’re a Good Man, Charlie Brown
Note: We are open to a wide range of ages for the characters below.

Sally Brown: Female Identifying, Soprano. Charlie Brown’s younger sister. She can be self-centered, skeptical, and intense. She has a crush on Linus.

Lucy Van Pelt: Female Identifying, Alto. A bossy, crabby, self-important girl who often bullies others, especially Charlie Brown. Despite her tough exterior, she has moments of compassion, vulnerability, and insight.

Snoopy: Any Gender, Tenor or Alto. Charlie Brown’s imaginative and lively pet beagle. Snoopy has a wild imagination, loves to daydream, and lives in his own world. Very loyal to Charlie Brown.

Schroeder: Male Identifying, Tenor. A piano-playing prodigy who is obsessed with Beethoven. He is the object of Lucy’s affection, although he usually ignores her advances.

Charlie Brown​​: Male identifying, Tenor. The central character of the musical, Charlie Brown is an everyman. Optimistic and Determined. He is kind, gentle, and has a big heart.

Linus Van Pelt: Male Identifying, Baritone. Lucy’s younger brother, who is intelligent and philosophical despite his young age. He is almost never without his security blanket.

Ensemble: Any Gender. Optional ensemble may be cast based on the director’s vision.

Barefoot in the Park

Corie Bratter: 19-30 to play 24. Female identifying. Very upbeat and full of life, Corie sees the world for all its wonders and none of its downsides. She sees the best in everyone and deeply loves her new husband, Paul, but can’t understand why he doesn’t see the world the way she does. Strong comedic timing and stamina are required since she’s almost never offstage and is high energy the entire show. 

Paul Bratter: 20-35 to play 26. Male identifying. A newly minted lawyer who is very conservative and set in his ways, but he also loves Corie very much. He can see himself growing into a better person through her, but he sometimes wonders if he’s made a mistake by marrying. He has a very dry but sharp-edged sense of humor while he tries to balance a new law career with a live-wire wife. Excellent comedic timing is required.

Ethel Banks: 45-60 to play 48. Female identifying. Corie’s mother. Ethel is a Jewish/Italian mother and has the sweetness of Betty White. She’ll do anything for Corie and her new son-in- law. She handles quite a bit of the comedy in the show.

Victor Velasco: 50-65 to play 58. Male identifying. A neighbor of Corie and Paul who lives in their building. Victor has quite a past and makes no excuses for the way he is and lives. A completely free spirit that Corie takes to immediately. He is also completely broke but knows how to get by anyway. A non-descript European accent is required.

Telephone Repairman: 30-50 to play 36. Male Identifying. A funny repairman who installs and repairs the phone in the apartment while also imparting some world-weary wisdom. A New York accent is encouraged for this role.

What the Constitution Means to Me

Heidi: 35-50, Female identifying. A version of Heidi portrayed as a teenager and as an adult. In the play, Heidi recounts her experience as a 15-year-old participating in Constitutional debate competitions and explores how the Constitution has affected women in her family across generations. Heidi is intellectual, passionate, and candid, and with a wry sense of humor that brings depth to her examination of the Constitution’s impact on her life.

The Legionnaire: 35-60, Male identifying. This character is portrayed as a humorous, old-fashioned figure, representing a generation that views the Constitution through a different, perhaps more traditional lens. The same actor also steps out the character and reveals a more personal, vulnerable story. In this moment, the actor shares an experience in his own life, detailing an incident in NYC where he was accosted due to his sexuality.

The Debater: 15-18, Female identifying. This character represents a younger generation, and the performer engages in a debate with Heid. The debater is insightful, intelligent, and articulate. This character offers a fresh viewpoint on the Constitution’s relevance today. Actors of color are particularly encouraged to audition.


REPRESENTATION AND RELEASE:

By submitting an audition form for Steel River Playhouse (or by Parent or Legal Guardian signing below, in the case of a minor, on both the Parent’s or Legal Guardian’s as well as the minor child’s behalf), I agree to the following:

In consideration of Steel River Playhouse making performance and/or educational opportunities available to me, I hereby agree to release, indemnify and hold harmless Steel River Playhouse (and its officers, employees, agents, volunteers, and Board members), from and against any and all claims, demands, liabilities, losses or expenses, including attorneys fees, and including any injury to myself or another party, associated with my participation in Steel River Playhouse events or activities (including but not limited to those arising in connection with rehearsals, performances, social gatherings, meetings, travel to and from any such activities, equipment or facilities, and those arising from a third party due to my own conduct), that are sponsored by or relate to Steel River Playhouse in any manner.

I hereby authorize Steel River Playhouse to use any photographs and/or media recordings in which I appear, for any purpose including but not limited to promotional purposes and release via the internet and/or other media outlets, without further notice, permission, or compensation. I hereby grant Steel River Playhouse (and their officers, employees, agents, volunteers, independent contractors, and Board members), permission, in their discretion, to release medical information to the program staff or others deemed necessary and in my interests, and to seek and authorize emergency medical treatment for me, and I hereby agree to assume all medical costs incurred.

I further agree that if any part of this agreement is found by a court or other appropriate authority to be invalid, the remainder of the agreement nevertheless will remain in full force and effect.

I further acknowledge that I have read and understood this Representation and Release, and voluntarily agree to be legally bound by its terms.